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It takes a lot
to challenge me.

That’s because I’ve been in the publishing industry for more than two decades: as a writer, a literary agency owner and president, the Marketing and Licensing Manager for a well-known publisher, and now as an author coach and consultant.

But last week
I was humbled.

I had an epiphany that changed the way I view the process of querying literary agents. And, that epiphany is going to change the way YOU view the process of querying literary agents.

Here’s what happened…

One of my long-term coaching clients, Harold, worked with me to create a book (from scratch) and pitch it to agents. Harold had a job at the time. He wanted to retire, make money, and make a difference as an author. We met at a writers’ conference on the East coast where I was giving a keynote.

Harold is unusual because he didn’t just want to work on his book. He wanted to figure out which book he should write, and he wanted to figure out how he should write it. That’s because smart authors (like Harold) know they can write about many different topics, in many different ways. However, there’s always one “best way” for an author to make his or her book more marketable.

Harold also wanted to create the best “author platform” to support his writing. He knew (after listening to my keynote) that he could increase his odds of getting a top literary agent and publisher by focusing on his platform first. And he knew that doing so would allow him to start making money right away, long before a publisher might offer him an advance.

So, Harold signed up for my coaching program. 

We developed the core “messaging” for Harold’s brand that would communicate what he does, who he does it for, and why it’s valuable. Harold began getting paid to fly around the country as a speaker, and he started getting coaching clients. Of course Harold also (with my help) outlined his book and created a killer query letter and book proposal. And he started querying literary agents.

That’s when everything fell apart.

Per my instructions, Harold sent out his first round of 43 query letters to literary agents. No positive responses, just rejections. Then he sent out a second round of query letters. Same result. Then he sent out a third and fourth round.

Nothing.

It was looking grim.

Harold sent out 163 query letters to literary agents and not one of them asked to see more material or offer him representation. I was shocked. Now, I’m not completely responsible for my clients getting agents interested in their work, but I do have a 95% success rate. And, in Harold’s case, I helped him develop the book. So his success (or failure) was, in more ways than one, my success or failure.

I got on the phone with Harold
to have a heart-to-heart.

He wanted to know if the query letter needed to be tweaked. I told him no. In some cases I’ll change something. In other cases, like this one, I didn’t see anything that I could do to the query to improve it. We simply needed to find an agent who liked the concept of Harold’s book enough to give it a chance.

So…

I told Harold not give up on himself, the project, me, or my process. I told him to continue trusting me, even though he had no tangible reason to do so. I reminded him that I know what sells because I’m a former literary agent. And I told him to send out more queries.

Harold, bless his heart,
did just that.

And (I’m getting goosebumps as I’m writing this),
he then got four requests for additional
material the following week.

A couple days after that Harold got an offer
for representation from a top literary
agency (The Steve Laube Agency).

All I could say when Harold
told me the news was
“Really? Holy crap!”

How could that possibly happen
after sending out 163 submissions
with absolutely no positive responses?

Well, it
happened.

Now…

Here’s the point.

First, I admire Harold because he didn’t quit. But I also genuinely love him because he stayed kind throughout the process. In other words, Harold didn’t tell me that my book suggestions, book proposal and/or query letter sucked.

I mean,
come on.

It would have been really easy
for him to think that.

Maybe he did think it,
but he never said it.

That’s
what
counts.

Another
thing…

During my time working with Harold I learned that the responses you get from literary agents over time can be completely erratic. In other words, you might get a positive reply from an agent after sending out your first query letter… and then send out hundreds more and never get another positive. Or, like Harold, you might get 163 (or more) rejections and then, suddenly, get multiple requests for more material and an offer(s) for representation.

So…

Don’t get too excited if/when an agent asks for more material. And, don’t get too upset when an agent turns you down. It doesn’t mean anything except that you need to keep going. As long as you do, you have a chance.

Harold’s life
changed overnight.

Yours might, too.

Don’t quit,

–  Mark

Ask a Question About Literary Agent Biographies

Mark Malatesta answers questions about literary agent biographies

Coaching Success Stories

Photo of Nathaniel Lande“Mark, finding you has been both a treat and a treasure—I just signed a contract with my new literary agent!

My career has spanned publishing, TV, and feature film. I’ve served as Creative Dir. for the Magazine Group, TIME Inc.; Dir. of Time World News Service, a Founding Dir. of TIME-Life Films; Exec. Prod. for both the CBS and NBC TV Networks; Prod./Dir.: Movies of the Week: CBS Cinema Center Films and Universal MCA.

Photo of The 10 Best of Everything In today’s publishing marketplace, agents come and go. They also very often seem to just want an easy pathway to make a buck. Many authors are let go by their agents because their last book didn’t do well enough and the agent doesn’t want to devote the time to help the author. That’s not what you’re about Mark. Even established authors need this type of support in today’s marketplace."

Nathaniel Lande
Author of ten fiction and nonfiction books

* * *

Photo of Amy Jo Goddard “I’m psyched to have this be official. After getting five different offers for representation from top literary agents, I signed with Stephanie Tade who got me a 6-figure book deal with Penguin!

Photo of Woman on Fire Getting multiple agents interested in my work was really important to me. I’ve dealt with agents before and gotten screwed on things contractually so I wanted to do it differently this time. I wanted choices.

Having you help me create that, and navigate my options, was really helpful. I heard other authors talk about their great relationships with their agents and it made me want the same thing. Now I have that."

Amy Jo Goddard
Author of Woman on Fire (Penguin Books)

* * *

Photo of Daniel Cohen “After sending out the query Mark revised for me, I had the opportunity to speak with literary agents from top agencies such as Janklow & Nesbit, Trident Media, Anderson Lit, and Folio. I signed with Don Fehr at Trident and, a short time later I had a publishing contract with Berkley Books, which recently published my book in hardcover.

Before that, I sent my query letter out on my own to 30 or 40 agents and got a lot of rejections. I then found Mark online while I was researching agents. I was surprised that he offered so much during his initial consultation—for a very modest amount of money.

Photo of Single Handed I don’t know what would have happened if I hadn’t worked with Mark. I can’t even imagine that now though, because of the grief and detours I experienced before we worked together. It was a time-consuming pain in the neck. If you want to get the attention of top literary agents and publishers, there is no substitute for working with an insider. You can’t beat experience. And having Mark on your side is incredibly valuable."

Daniel Cohen
Author of Single Handed (Berkley Books, a Division of Penguin Random House)

* * *

Photo of Miri Leshem-Pelley “AHHH! OMG, it happened! I got three offers of representation for my children’s picture book in the United States, even though I live abroad! When I woke up and found the first offer for representation in my email in box, I wanted to scream. But my family was still asleep so I couldn’t. 🙂

Photo of Lon-Lon's Big Night Just 8 minutes after I sent a query letter to one of my favorite agents, she replied and asked to see my manuscript. A short time later we had a lovely conversation. She was interested in representing me and sounded very positive and enthusiastic about my book. Since I also got offers from two other agents, I had to turn two of them down. One of them was upset and it felt like I was breaking her heart, but you just have to do it. I kept reminding myself that this is a good problem to have!"

Miri Leshem-Pelley
Author/Illustrator of Lon-Lon’s Big Night and many other children’s books

* * *

Photo of Dave Hamme “Mark, after you helped me land a top literary agent, I got publishing offers from THREE well-known publishers: Amacom, Palgrave Macmillan, and McGraw-Hill (they’re publishing my book in hardcover)!

I was at Disneyworld with my family, in the Haunted Mansion, when I got the call. I went outside and listened to the voicemail message from my agent. A huge smile came over my face. It was a fantastic feeling. For a moment I felt like life was perfect and the angels were singing.

Photo of Customer Focused Process Innovation You’re filling an important need so I’ll say this to every other author reading this testimonial. Mark showed me that getting a top literary agent is a science. If you’ve written a book, or you’re in the process, you’ve already invested a lot—a lot more than money. Don’t stop yourself from getting out there to fulfill your purpose and dreams. Thank you so, so much, Mark!!!"

Dave Hamme
Author of Customer Focused Process Innovation (McGraw Hill)

* * *

Photo of Erika Armstrong “I got a book deal! After I started sending out my new query letter I had 6 literary agents request my manuscript in a short amount of time, which is awesome. Then, within 2 weeks of my agent starting to pitch my story to publishers, we had an offer. I signed a book contract yesterday. A little while later my agent told me that a TV co-producer asked for more info about my book.

Photo of A Chick in the Cockpit By the way, the acquiring editor that fell in love with the manuscript jumped in with both feet and we just worked out our timeline for publication. She’s as passionate about getting my book out as I am, and that means everything. She read the manuscript in two days and said she couldn’t put it down. And the book is going to be published as a hardcover!"

Erika Armstrong
Author of A Chick in the Cockpit (Behler Publications)

* * *

Photo of Michael Thompson “Thank you Mark! After you helped me get a well-known agent with Hartline Literary Agency (for my previously self-published murder mystery), he got me a deal with an American Christian Fiction Writers (ACFW) approved publisher. I’m hard-pressed to find anything that I had an expectation for that you didn’t deliver on.

Photo of The Rector Before I worked with you I sent out queries, but no one ever requested my complete manuscript. Comparing your new version of my query to the one I wrote before, I can see a vast difference.

I’ve been in business for 35 years so I’m not just saying this… what you’re doing is phenomenal. There are other people offering similar services, but the difference is your success. Others might say they do similar things but, if you research them, they don’t have your background or track record."

Michael Thompson
Author of The Rector

* * *

Photo of Ruth Finnegan “Mark, you’re a miracle worker. Thanks to your help with my book, query letter, and synopsis… I now have a legitimate publisher who described my book as ‘Powerful Magic’ and it’s now available in bookstores and online!

Photo of The Black Inked Pearl I’m a lifelong academic writer who one day found myself writing inspired short stories that came to me in dreams and I began thinking of them as novels. That’s when I had a momentous conversation, an introductory coaching call with Mark Malatesta, the American creative writing coach, or rather, to be precise, a how-to-sell-yourself-and-your-work adviser. It was the best-spent money of my life apart (possibly) for my wedding ring."

Professor Ruth Finnegan FBA
Author of The Black Inked Pearl

* * *

Photo of Lakshmi Subramani “Within 4 minutes of sending out my query letter, a top literary called me on the phone (the #1 agent on my wish list). Less than 30 days later I had three major publishers making offers. A few days after that, I signed a deal with Random House. Mark, your query letter did that.

Photo of Lights Out My agent talked about the query letter you helped me create for a long, long time. When he first called me on the phone, he hadn’t seen any of my sample chapters. It was just the query letter that did it. Communicating the right thing is so important. You are a wonderful medium helping authors find their voice and elevate their writing from just a hobby to a real business… a source from which they can both learn and earn."

Lakshmi Subramani
Author of Lights Out (Random House) Bangalore, India

* * *

Photo of Mardell Hill “MARK, MARK, MARK!!!!!!! Holy smokes… I just signed my book deal. First, two well-known literary agents asked to represent me. One of them responded to my query letter in less than 4 minutes!!

Photo of Intestinal Health Then THREE different publishers wanted my book and started talking about making offers. The publisher I chose is perfect for me because they produce titles for the trade, educational, and scientific markets. And they agreed to publish my book as a hardcover!!!

When I met you, Mark, it was a pivotal time. I was under the belief that I could self-publish my book with a vanity press and then seek a publisher. I didn’t know what a literary agent was, why I needed one, or how to get one. I was wandering in the dark. You guided me in the right direction and gave me a solid plan."

Mardell Hill
Author of Intestinal Health (Rowman & Littlefield)

* * *

Photo of Scott LeRette “Boom!!! I just signed a contract with Thomas Nelson/Harper Collins for (what I’ve been told by several people) is a very large advance for a first-time author. Before working with Mark I submitted my book to agents but didn’t get any interest. This time around I got a top NY literary agency (Fine Print Lit). What cloud is higher than 9?

Photo of The Unbreakable Boy I had several agencies interested before deciding to go with Fine Print. And, to be honest, all of the attention didn’t surprise me. The query letter and proposal that Mark helped me develop were incredible. Agents actually said things to me like: ‘Scott, I read your proposal and I’m just blown away by it!' Mark is extremely talented at what he does. If you have the opportunity to work with him, take advantage of it."

Scott LeRette
Author of The Unbreakable Boy (Harper Collins/Thomas Nelson)
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