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Literary Agent Feedback Literary agent feedback is often completely misinterpreted by authors. And it can be fatal. Scroll below to find out how you should interpret, and manage, literary agency feedback (like rejection letters).

This article is part of a 17-part series called Getting a Literary Agent.

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Literary Agent Feedback – Rejection Letters

The reason literary agent feedback is so often “misread” …is because rejection letters can be as difficult to decode as, oh, I don’t know, let’s say… the Bible? In fact, that’s a perfect comparison since book agents are often viewed as gods (and writers as mere mortals).

If you’ve been to a writers’ conference or researched
the publishing industry, you know what I mean.

Now… the problem with literary agent feedback, the Bible, and every other bit of writing, is that there can only be one correct interpretation. But there are often many. Ask ten different people to read the same literary agent feedback (or any other piece of writing), and you’ll likely get some consistent responses. But you’ll also get some disagreement about the intent of the author.

The Problem with Literary Agent Feedback

What does this story mean to you?

Now, why is it so important for you to correctly interpret your literary agent feedback? Well, some rejection letters have caused authors to spend months or years rewriting their books… or give up on their writing completely. I wasn’t aware how big a problem this was until just a few weeks ago.

Here’s what happened…

One Tuesday morning I was on the phone with one of my 1-on-1 coaching clients. She was excited, telling me about the acceptance letters that she’d been getting. Publishing agents were asking to read her novel (based on the query letter that I’d helped her write).

But my client also voiced concerns, based on literary agent feedback she’d gotten from three different book agents. My client told me she was afraid that her novel was no good. So I asked her to read the literary agent feedback to me. Now I’m going to share her rejection letters with you, and interpret them… so you can better understand any literary agent feedback that you get.

Literary Agent Feedback Concerns

Rejection Letter 1 – Literary Agent Feedback

Dear Ms. [Author’s last name]:

Thanks for your query. 

As to your material I’m afraid I will be passing — I’m just not enthusiastic enough about the concept of your story to feel that I’d be the right agent for the project. I realize it is difficult to judge your potential from a query; nevertheless please know that I give serious attention to every letter, outline, and writing sample I receive. 

Sorry I couldn’t give you a more positive reply. Thanks for thinking of me, though, and best of luck in your search for representation.

Sincerely,

Famous Agent #1

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Rejection Letter 2 – Literary Agent Feedback

Dear [Author’s first name],

Thank you for querying me about your manuscript.

I’ve read your sample pages and I’m sorry to say that the project just isn’t a perfect fit with my current needs. This has less to do with your strengths as a writer and more to do with my goals as an agent and the trends of the current literary marketplace.

I wish you the best of luck in your search for the right agent and publisher. Keep writing!

Kindest Regards,

Famous Agent #2

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Rejection Letter 3 – Literary Agent Feedback

Dear Ms. [Author’s last name]:

Thank you for giving me the opportunity to consider your work, but I’m going to pass.  My decision is based largely upon my current work load, the tight market, and the fact that I handle only a limited array of commercial fiction as much as the merits of your project.

Famous Agent #3

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Misinterpreting Literary Agent Feedback

Based on that literary agent feedback, my client had concluded that “her concept wasn’t good enough to get book agents (and publishers) enthusiastic about her work,” “she wasn’t writing books aligned with the trends in the current literary marketplace,” and “her work wasn’t commercial enough.”

This is what I told my client (make sure you read all three tips,
the last two aren’t as obvious as the first one)…

Literary Agent Feedback Tips

Tip 1 – Literary Agent Feedback

Although it might not seem like it, most literary agent feedback comes in the form of a “form letter.” In other words, not one word in most literary agent feedback is specifically about you and/or your book (with the exception of your book title that might have been inserted).

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Tip 2 – Literary Agent Feedback

A lot of literary agent feedback is carefully crafted to seem like the book agent read your query letter carefully. But, in most cases, your query letter was simply skimmed.

It isn’t personal.

This happens due to the sheer volume of queries that publishing agents receive. That’s why it’s critical to write an irresistible query letter… so book agents will read your entire query letter. After all, that’s the only way you’re going to get them to request your entire manuscript!

Literary Agent Feedback Isn't Personal

By the way, you might be wondering…

Why do book agents make it seem like they read every word of your query letter, and they’re giving you individualized feedback?

1. It’s what you want

2. Book agents don’t want you to feel like they didn’t give your work serious consideration

3. Publishing agents don’t want to get hate mail or have you post bad things about them on the internet

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Tip 3 – Literary Agent Feedback

Unless two or more book agents tell you the exact same thing in their literary agent feedback, take their words with a grain of salt. Remember… literary agent feedback sometimes comes in the form of form letters. In fact, it usually comes in the form of form letters.

Don’t get discouraged or depressed. Instead, see if you can find specific comments about you and/or your book.

For example, let’s say you queried literary agencies about a western, and you get literary agent feedback from two literary agencies stating the following: “I’m sorry to say that most publishers are no longer interested in western novels, so I’m afraid I’ll have to pass.”

Those aren’t form letters, and you should take them more seriously.

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Conclusion – Literary Agent Feedback

Don’t read too much into literary agent feedback. Simply read what’s there. Don’t get creative and fill in extra words in your mind, based on what you think or feel the publishing agent probably meant to say.

If literary agent feedback isn’t very specific about you and/or your book… reject those rejection letters. Don’t climb onto the speculative treadmill in your mind, and second-guess yourself.

Literary Agent Feedback Treadmill

That said, there is one exception to this rule…

Whenever someone at a literary agency says something complimentary about you and/or your work in their literary agent feedback… take that to heart. Even if the comments are vague and seem like they might be “form letter” material, treat them like the word of God.

There’s no harm in that (at least not in my book).

Embrace the positive, reject the negative.

Now, click here to read the next article in this 17-part series
and learn about Getting a Literary Agent.

Learn about getting a literary agent

Coaching Success Stories

Photo of Nathaniel Lande“Mark, finding you has been both a treat and a treasure—I just signed a contract with my new literary agent!

My career has spanned publishing, TV, and feature film. I’ve served as Creative Dir. for the Magazine Group, TIME Inc.; Dir. of Time World News Service, a Founding Dir. of TIME-Life Films; Exec. Prod. for both the CBS and NBC TV Networks; Prod./Dir.: Movies of the Week: CBS Cinema Center Films and Universal MCA.

Photo of The 10 Best of Everything In today’s publishing marketplace, agents come and go. They also very often seem to just want an easy pathway to make a buck. Many authors are let go by their agents because their last book didn’t do well enough and the agent doesn’t want to devote the time to help the author. That’s not what you’re about Mark. Even established authors need this type of support in today’s marketplace."

Nathaniel Lande
Author of ten fiction and nonfiction books

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Photo of Amy Jo Goddard “I’m psyched to have this be official. After getting five different offers for representation from top literary agents, I signed with Stephanie Tade who got me a 6-figure book deal with Penguin!

Photo of Woman on Fire Getting multiple agents interested in my work was really important to me. I’ve dealt with agents before and gotten screwed on things contractually so I wanted to do it differently this time. I wanted choices.

Having you help me create that, and navigate my options, was really helpful. I heard other authors talk about their great relationships with their agents and it made me want the same thing. Now I have that."

Amy Jo Goddard
Author of Woman on Fire (Penguin Books)

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Photo of Daniel Cohen “After sending out the query Mark revised for me, I had the opportunity to speak with literary agents from top agencies such as Janklow & Nesbit, Trident Media, Anderson Lit, and Folio. I signed with Don Fehr at Trident and, a short time later I had a publishing contract with Berkley Books, which recently published my book in hardcover.

Before that, I sent my query letter out on my own to 30 or 40 agents and got a lot of rejections. I then found Mark online while I was researching agents. I was surprised that he offered so much during his initial consultation—for a very modest amount of money.

Photo of Single Handed I don’t know what would have happened if I hadn’t worked with Mark. I can’t even imagine that now though, because of the grief and detours I experienced before we worked together. It was a time-consuming pain in the neck. If you want to get the attention of top literary agents and publishers, there is no substitute for working with an insider. You can’t beat experience. And having Mark on your side is incredibly valuable."

Daniel Cohen
Author of Single Handed (Berkley Books, a Division of Penguin Random House)

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Photo of Miri Leshem-Pelley “AHHH! OMG, it happened! I got three offers of representation for my children’s picture book in the United States, even though I live abroad! When I woke up and found the first offer for representation in my email in box, I wanted to scream. But my family was still asleep so I couldn’t. 🙂

Photo of Lon-Lon's Big Night Just 8 minutes after I sent a query letter to one of my favorite agents, she replied and asked to see my manuscript. A short time later we had a lovely conversation. She was interested in representing me and sounded very positive and enthusiastic about my book. Since I also got offers from two other agents, I had to turn two of them down. One of them was upset and it felt like I was breaking her heart, but you just have to do it. I kept reminding myself that this is a good problem to have!"

Miri Leshem-Pelley
Author/Illustrator of Lon-Lon’s Big Night and many other children’s books

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Photo of Dave Hamme “Mark, after you helped me land a top literary agent, I got publishing offers from THREE well-known publishers: Amacom, Palgrave Macmillan, and McGraw-Hill (they’re publishing my book in hardcover)!

I was at Disneyworld with my family, in the Haunted Mansion, when I got the call. I went outside and listened to the voicemail message from my agent. A huge smile came over my face. It was a fantastic feeling. For a moment I felt like life was perfect and the angels were singing.

Photo of Customer Focused Process Innovation You’re filling an important need so I’ll say this to every other author reading this testimonial. Mark showed me that getting a top literary agent is a science. If you’ve written a book, or you’re in the process, you’ve already invested a lot—a lot more than money. Don’t stop yourself from getting out there to fulfill your purpose and dreams. Thank you so, so much, Mark!!!"

Dave Hamme
Author of Customer Focused Process Innovation (McGraw Hill)

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Photo of Erika Armstrong “I got a book deal! After I started sending out my new query letter I had 6 literary agents request my manuscript in a short amount of time, which is awesome. Then, within 2 weeks of my agent starting to pitch my story to publishers, we had an offer. I signed a book contract yesterday. A little while later my agent told me that a TV co-producer asked for more info about my book.

Photo of A Chick in the Cockpit By the way, the acquiring editor that fell in love with the manuscript jumped in with both feet and we just worked out our timeline for publication. She’s as passionate about getting my book out as I am, and that means everything. She read the manuscript in two days and said she couldn’t put it down. And the book is going to be published as a hardcover!"

Erika Armstrong
Author of A Chick in the Cockpit (Behler Publications)

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Photo of Michael Thompson “Thank you Mark! After you helped me get a well-known agent with Hartline Literary Agency (for my previously self-published murder mystery), he got me a deal with an American Christian Fiction Writers (ACFW) approved publisher. I’m hard-pressed to find anything that I had an expectation for that you didn’t deliver on.

Photo of The Rector Before I worked with you I sent out queries, but no one ever requested my complete manuscript. Comparing your new version of my query to the one I wrote before, I can see a vast difference.

I’ve been in business for 35 years so I’m not just saying this… what you’re doing is phenomenal. There are other people offering similar services, but the difference is your success. Others might say they do similar things but, if you research them, they don’t have your background or track record."

Michael Thompson
Author of The Rector

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Photo of Ruth Finnegan “Mark, you’re a miracle worker. Thanks to your help with my book, query letter, and synopsis… I now have a legitimate publisher who described my book as ‘Powerful Magic’ and it’s now available in bookstores and online!

Photo of The Black Inked Pearl I’m a lifelong academic writer who one day found myself writing inspired short stories that came to me in dreams and I began thinking of them as novels. That’s when I had a momentous conversation, an introductory coaching call with Mark Malatesta, the American creative writing coach, or rather, to be precise, a how-to-sell-yourself-and-your-work adviser. It was the best-spent money of my life apart (possibly) for my wedding ring."

Professor Ruth Finnegan FBA
Author of The Black Inked Pearl

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Photo of Lakshmi Subramani “Within 4 minutes of sending out my query letter, a top literary called me on the phone (the #1 agent on my wish list). Less than 30 days later I had three major publishers making offers. A few days after that, I signed a deal with Random House. Mark, your query letter did that.

Photo of Lights Out My agent talked about the query letter you helped me create for a long, long time. When he first called me on the phone, he hadn’t seen any of my sample chapters. It was just the query letter that did it. Communicating the right thing is so important. You are a wonderful medium helping authors find their voice and elevate their writing from just a hobby to a real business… a source from which they can both learn and earn."

Lakshmi Subramani
Author of Lights Out (Random House) Bangalore, India

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Photo of Mardell Hill “MARK, MARK, MARK!!!!!!! Holy smokes… I just signed my book deal. First, two well-known literary agents asked to represent me. One of them responded to my query letter in less than 4 minutes!!

Photo of Intestinal Health Then THREE different publishers wanted my book and started talking about making offers. The publisher I chose is perfect for me because they produce titles for the trade, educational, and scientific markets. And they agreed to publish my book as a hardcover!!!

When I met you, Mark, it was a pivotal time. I was under the belief that I could self-publish my book with a vanity press and then seek a publisher. I didn’t know what a literary agent was, why I needed one, or how to get one. I was wandering in the dark. You guided me in the right direction and gave me a solid plan."

Mardell Hill
Author of Intestinal Health (Rowman & Littlefield)

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Photo of Scott LeRette “Boom!!! I just signed a contract with Thomas Nelson/Harper Collins for (what I’ve been told by several people) is a very large advance for a first-time author. Before working with Mark I submitted my book to agents but didn’t get any interest. This time around I got a top NY literary agency (Fine Print Lit). What cloud is higher than 9?

Photo of The Unbreakable Boy I had several agencies interested before deciding to go with Fine Print. And, to be honest, all of the attention didn’t surprise me. The query letter and proposal that Mark helped me develop were incredible. Agents actually said things to me like: ‘Scott, I read your proposal and I’m just blown away by it!' Mark is extremely talented at what he does. If you have the opportunity to work with him, take advantage of it."

Scott LeRette
Author of The Unbreakable Boy (Harper Collins/Thomas Nelson)
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